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Borobudur Temple, Mahayana Buddhist Temple.

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View of Borobudur Temple from the north side (photo: absfreepics.com)

 

 

 

Stupas at Borobudur (author: Arnaud-Victor Monteux, 2013).
Stupas at Borobudur (author: Arnaud-Victor Monteux, 2013).

 

 

 

Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist Temple in Magelang, Central Java, Indonesia. The monument consists of nine stacked platforms, six square and three circular, topped by a central dome. The temple is decorated with 2,672 relief panels and 504 Buddha statues. The central dome is surrounded by 72 Buddha statues, each seated inside a perforated stupa. It is the world’s largest Buddhist temple, as well as one of the greatest Buddhist monuments in the world.

 

 

A meditative Buddha statue perform dharmachakra mudra hand gesture inside the perforated bell-shaped stupa on upper platform of Arupadhatu in Borobudur
A meditative Buddha statue perform dharmachakra mudra hand gesture inside the perforated bell-shaped stupa on upper platform of Arupadhatu in Borobudur (author: Gunawan Kartapranata, 2010).

 

Built in the 9th century during the reign of the Sailendra Dynasty, the temple was designed in Javanese Buddhist architecture, which blends the Indonesian indigenous cult of ancestor worship and the Buddhist concept of attaining Nirvana. The temple also demonstrates the influences of Gupta art that reflects India’s influence on the region, yet there are enough indigenous scenes and elements incorporated to make Borobudur uniquely Indonesian. The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path around the monument and ascends to the top through three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). The monument guides pilgrims through an extensive system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades. Borobudur has the largest and most complete ensemble of Buddhist reliefs in the world.

Evidence suggests Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site.

Borobudur is still used for pilgrimage; once a year, Buddhists in Indonesia celebrate Vesak at the monument, and Borobudur is Indonesia’s single most visited tourist attraction

In Indonesian, ancient temples are referred to as candi; thus locals refer to “Borobudur Temple” as Candi Borobudur. The term candi also loosely describes ancient structures, for example gates and baths. The origins of the name Borobudur, however, are unclear, although the original names of most ancient Indonesian temples are no longer known.The name Borobudur was first written in Sir Thomas Raffles’s book on Javan history. Raffles wrote about a monument called Borobudur, but there are no older documents suggesting the same name. The only old Javanese manuscript that hints the monument called Budur as a holy Buddhist sanctuary is Nagarakretagama, written by Mpu Prapanca, a Buddhist scholar of Majapahit court, in 1365.

Most candi are named after a nearby village. If it followed Javanese language conventions and was named after the nearby village of Bore, the monument should have been named “BudurBoro”. Raffles thought that Budur might correspond to the modern Javanese word Buda (“ancient”)—i.e., “ancient Boro”. He also suggested that the name might derive from boro, meaning “great” or “honourable” and Budur for Buddha. However, another archaeologist suggests the second component of the name (Budur) comes from Javanese term bhudhara (“mountain”).

Another possible etymology suggests that Borobudur is a corrupted simplified local Javanese pronunciation of Biara Beduhur written in Sanskrit as Vihara Buddha Uhr. The term Buddha-Uhr could mean “the city of Buddhas”, while another possible term Beduhur is probably an Old Javanese term, still survived today in Balinese vocabulary, which means “a high place”, constructed from the stem word dhuhur or luhur (high). This suggests that Borobudur means vihara of Buddha located on a high place or on a hill.

The construction and inauguration of a sacred Buddhist building—possibly a reference to Borobudur—was mentioned in two inscriptions, both discovered in Kedu, Temanggung Regency. The Karangtengah inscription, dated 824, mentioned a sacred building named Jinalaya (the realm of those who have conquered worldly desire and reached enlightenment), inaugurated by Pramodhawardhani, daughter of Samaratungga. The Tri Tepusan inscription, dated 842, is mentioned in the sima, the (tax-free) lands awarded by Çrī Kahulunnan (Pramodhawardhani) to ensure the funding and maintenance of a Kamūlān called Bhūmisambhāra. Kamūlān is from the word mula, which means “the place of origin”, a sacred building to honor the ancestors, probably those of the Sailendras. Casparis suggested that Bhūmi Sambhāra Bhudhāra, which in Sanskrit means “the mountain of combined virtues of the ten stages of Boddhisattvahood”, was the original name of Borobudur.

 

 

 

 

 

Location

 

 

The map of Borobudur Archaeological Park and its surrounding, showing that Mendut, Pawon, and Borobudur forming a straight line
The map of Borobudur Archaeological Park and its surrounding, showing that Mendut, Pawon, and Borobudur forming a straight line (author: Gunawan Kartapranata).

 

 

Earth view of The Borobudur Temple, Central Java (source: Google Maps).
Earth view of The Borobudur Temple, Central Java (source: Google Maps).

 

 

 

Approximately 40 kilometres (25 mi) northwest of Yogyakarta and 86 kilometres (53 mi) west of Surakarta, Borobudur is located in an elevated area between two twin volcanoes, Sundoro-Sumbing and Merbabu-Merapi, and two rivers, the Progo and the Elo. According to local myth, the area known as Kedu Plain is a Javanese “sacred” place and has been dubbed “the garden of Java” due to its high agricultural fertility. During the restoration in the early 20th century, it was discovered that three Buddhist temples in the region, Borobudur, Pawon and Mendut, are positioned along a straight line. A ritual relationship between the three temples must have existed, although the exact ritual process is unknown.

 

 

 

Ancient lake

 

 

Speculation about the lake’s existence was the subject of intense discussion among archaeologists in the 20th century. In 1931, a Dutch artist and scholar of Hindu and Buddhist architecture, W.O.J. Nieuwenkamp, developed a theory that the Kedu Plain was once a lake and Borobudur initially represented a lotus flower floating on the lake. It has been claimed that Borobudur was built on a bedrock hill, 265 m (869 ft) above sea level and 15 m (49 ft) above the floor of a dried-out paleolake.

Dumarçay together with Professor Thanikaimoni had taken soil samples in 1974 and again in 1977 from trial trenches that had been dug into the hill, as well as from the plain immediately to the south. These samples were later analysed by Professor Thanikaimoni, who examined their pollen and spore content in order to identify the type of vegetation that had grown in the area around the time of Borobudur’s construction. They were unable to discover any pollen or spore samples that were characteristic of any vegetation known to grow in an aquatic environment such as a lake, pond or marsh. The area surrounding Borobudur appears to have been surrounded by agricultural land and palm trees at the time of the monument’s construction, as is still the case today. Caesar Voûte and the geomorphologist Dr J.J. Nossin in 1985–86 field studies re-examined the Borobudur lake hypothesis and concluded the absence of a lake around Borobudur at the time of its construction and active use as a sanctuary. These findings A New Perspective on Some Old Questions Pertaining to Borobudur were published in the 2005 UNESCO publication titled “The Restoration of Borobudur”.

 

 

 

 

History

Construction.

 

A painting by G.B. Hooijer (c. 1916—1919) reconstructing the scene of Borobudur during its heyday
A painting by G.B. Hooijer (c. 1916—1919) reconstructing the scene of Borobudur during its heyday (author: G.B. Hooijer (Schilder)).

 

 

There is no written record of who built the Borobudur or of its intended purpose. The construction time has been estimated by comparison between carved reliefs on the temple’s hidden foot and the inscriptions commonly used in royal charters during the 8th and 9th centuries. Borobudur was likely founded around 800 CE. This corresponds to the period between 760 and 830 CE, the peak of the Sailendra dynasty rule upon Mataram kingdom in central Java, when it was under the influence of the Srivijayan Empire. The construction has been estimated to have taken 75 years and been completed during the reign of Samaratungga in 825.

There is confusion between Hindu and Buddhist rulers in Java around that time. The Sailendras were known as ardent followers of Buddhism, though stone inscriptions found at Sojomerto suggest they may have been Hindus. It was during this time that many Hindu and Buddhist monuments were built on the plains and mountains around the Kedu Plain. The Buddhist monuments, including Borobudur, were erected around the same period as the Hindu Shiva Prambanan temple compound. In 732 CE, the Shivaite King Sanjaya commissioned a Shivalinga sanctuary to be built on the Wukir hill, only 10 km (6.2 mi) east of Borobudur.

Construction of Buddhist temples, including Borobudur, at that time was possible because Sanjaya’s immediate successor, Rakai Panangkaran, granted his permission to the Buddhist followers to build such temples. In fact, to show his respect, Panangkaran gave the village of Kalasan to the Buddhist community, as is written in the Kalasan Charter dated 778 CE. This has led some archaeologists to believe that there was never serious conflict concerning religion in Java as it was possible for a Hindu king to patronize the establishment of a Buddhist monument; or for a Buddhist king to act likewise. However, it is likely that there were two rival royal dynasties in Java at the time—the Buddhist Sailendra and the Saivite Sanjaya—in which the latter triumphed over their rival in the 856 battle on the Ratubaka plateau. This confusion also exists regarding the Lara Jonggrang temple at the Prambanan complex, which was believed to have been erected by the victor Rakai Pikatan as the Sanjaya dynasty’s reply to Borobudur, but others suggest that there was a climate of peaceful coexistence where Sailendra involvement exists in Lara Jonggrang.

 

 

 

 

Abandonment.

 

 

Borobudur stupas overlooking a mountain. For centuries, it was deserted
Borobudur stupas overlooking a mountain. For centuries, it was deserted (author: Heaven’s Army).

 

 

Borobudur lay hidden for centuries under layers of volcanic ash and jungle growth. The facts behind its abandonment remain a mystery. It is not known when active use of the monument and Buddhist pilgrimage to it ceased. Sometime between 928 and 1006, King Mpu Sindok moved the capital of the Medang Kingdom to the region of East Java after a series of volcanic eruptions; it is not certain whether this influenced the abandonment, but several sources mention this as the most likely period of abandonment. The monument is mentioned vaguely as late as ca. 1365, in Mpu Prapanca’s Nagarakretagama, written during the Majapahit era and mentioning “the vihara in Budur”. Soekmono (1976) also mentions the popular belief that the temples were disbanded when the population converted to Islam in the 15th century.

The monument was not forgotten completely, though folk stories gradually shifted from its past glory into more superstitious beliefs associated with bad luck and misery. Two old Javanese chronicles (babad) from the 18th century mention cases of bad luck associated with the monument. According to the Babad Tanah Jawi (or the History of Java), the monument was a fatal factor for Mas Dana, a rebel who revolted against Pakubuwono I, the king of Mataram in 1709. It was mentioned that the “Redi Borobudur” hill was besieged and the insurgents were defeated and sentenced to death by the king. In the Babad Mataram (or the History of the Mataram Kingdom), the monument was associated with the misfortune of Prince Monconagoro, the crown prince of the Yogyakarta Sultanate in 1757. In spite of a taboo against visiting the monument, “he took what is written as the knight who was captured in a cage (a statue in one of the perforated stupas)”. Upon returning to his palace, he fell ill and died one day later.

 

 

 

 

Rediscovery.

 

Borobudur's main stupa in mid 19th-century, a wooden deck had been installed above the main stupa (author: Woodbury & Page).Borobudur's main stupa in mid 19th-century, a wooden deck had been installed above the main stupa (author: Woodbury & Page).Borobudur's main stupa in mid 19th-century, a wooden deck had been installed above the main stupa
Borobudur’s main stupa in mid 19th-century, a wooden deck had been installed above the main stupa (author: Woodbury & Page).

 

 

Following its capture, Java was under British administration from 1811 to 1816. The appointed governor was Lieutenant Governor-General Thomas Stamford Raffles, who took great interest in the history of Java. He collected Javanese antiques and made notes through contacts with local inhabitants during his tour throughout the island. On an inspection tour to Semarang in 1814, he was informed about a big monument deep in a jungle near the village of Bumisegoro. He was not able to make the discovery himself and sent H.C. Cornelius, a Dutch engineer, to investigate. In two months, Cornelius and his 200 men cut down trees, burned down vegetation and dug away the earth to reveal the monument. Due to the danger of collapse, he could not unearth all galleries. He reported his findings to Raffles, including various drawings. Although the discovery is only mentioned by a few sentences, Raffles has been credited with the monument’s recovery, as one who had brought it to the world’s attention.

Hartmann, a Dutch administrator of the Kedu region, continued Cornelius’s work, and in 1835, the whole complex was finally unearthed. His interest in Borobudur was more personal than official. Hartmann did not write any reports of his activities, in particular, the alleged story that he discovered the large statue of Buddha in the main stupa. In 1842, Hartmann investigated the main dome, although what he discovered is unknown and the main stupa remains empty.

 

 

The first photograph of the monument was taken in 1872 by a Dutch-Flemish engraver, Isidore van Kinsbergen
The first photograph of the monument was taken in 1872 by a Dutch-Flemish engraver, Isidore van Kinsbergen (source: Tropenmuseum).

 

 

The Dutch East Indies government then commissioned F.C. Wilsen, a Dutch engineering official, who studied the monument and drew hundreds of relief sketches. J.F.G. Brumund was also appointed to make a detailed study of the monument, which was completed in 1859. The government intended to publish an article based on Brumund’s study supplemented by Wilsen’s drawings, but Brumund refused to cooperate. The government then commissioned another scholar, C. Leemans, who compiled a monograph based on Brumund’s and Wilsen’s sources. In 1873, the first monograph of the detailed study of Borobudur was published, followed by its French translation a year later. The first photograph of the monument was taken in 1872 by a Dutch-Flemish engraver, Isidore van Kinsbergen.

Appreciation of the site developed slowly, and it served for some time largely as a source of souvenirs and income for “souvenir hunters” and thieves. In 1882, the chief inspector of cultural artifacts recommended that Borobudur be entirely disassembled with the relocation of reliefs into museums due to the unstable condition of the monument. As a result, the government appointed Groenveldt, an archeologist, to undertake a thorough investigation of the site and to assess the actual condition of the complex; his report found that these fears were unjustified and recommended it be left intact.

Borobudur was considered as the source of souvenirs, and parts of its sculptures were looted, some even with colonial-government consent. In 1896 King Chulalongkorn of Siam visited Java and requested and was allowed to take home eight cartloads of sculptures taken from Borobudur. These includes thirty pieces taken from a number of relief panels, five buddha images, two lions, one gargoyle, several kala motifs from the stairs and gateways, and a guardian statue (dvarapala). Several of these artifacts, most notably the lions, dvarapala, kala, makara and giant waterspouts are now on display in the Java Art room in The National Museum in Bangkok.

 

 

 

 

Restoration.

 

 

Borobudur after Van Erp's restoration in 1911. Note the reconstructed chhatra pinnacle on top of the main stupa
Borobudur after Van Erp’s restoration in 1911. Note the reconstructed chhatra pinnacle on top of the main stupa (source: Tropenmuseum).

 

 

Borobudur attracted attention in 1885, when Yzerman, the Chairman of the Archaeological Society in Yogyakarta, made a discovery about the hidden foot. Photographs that reveal reliefs on the hidden foot were made in 1890–1891. The discovery led the Dutch East Indies government to take steps to safeguard the monument. In 1900, the government set up a commission consisting of three officials to assess the monument: Brandes, an art historian, Theodoor van Erp, a Dutch army engineer officer, and Van de Kamer, a construction engineer from the Department of Public Works.

In 1902, the commission submitted a threefold plan of proposal to the government. First, the immediate dangers should be avoided by resetting the corners, removing stones that endangered the adjacent parts, strengthening the first balustrades and restoring several niches, archways, stupas and the main dome. Second, after fencing off the courtyards, proper maintenance should be provided and drainage should be improved by restoring floors and spouts. Third, all loose stones should be removed, the monument cleared up to the first balustrades, disfigured stones removed and the main dome restored. The total cost was estimated at that time around 48,800 Dutch guilders.

The restoration then was carried out between 1907 and 1911, using the principles of anastylosis and led by Theodor van Erp. The first seven months of restoration were occupied with excavating the grounds around the monument to find missing Buddha heads and panel stones. Van Erp dismantled and rebuilt the upper three circular platforms and stupas. Along the way, Van Erp discovered more things he could do to improve the monument; he submitted another proposal, which was approved with the additional cost of 34,600 guilders. At first glance, Borobudur had been restored to its old glory. Van Erp went further by carefully reconstructing the chhatra (three-tiered parasol) pinnacle on top of the main stupa. However, he later dismantled the chhatra, citing that there were not enough original stones used in reconstructing the pinnacle, which means that the original design of Borobudur’s pinnacle is actually unknown. The dismantled chhatra now is stored in Karmawibhangga Museum, a few hundred meters north from Borobudur.

 

 

The Unfinished Buddha of the main stupa of Borobudur at Karmawibhangga Museum.
The Unfinished Buddha of the main stupa of Borobudur at Karmawibhangga Museum. People gives the offerings on its front (author: Okkisafire, 2014).

 

 

Due to the limited budget, the restoration had been primarily focused on cleaning the sculptures, and Van Erp did not solve the drainage problem. Within fifteen years, the gallery walls were sagging, and the reliefs showed signs of new cracks and deterioration. Van Erp used concrete from which alkali salts and calcium hydroxide leached and were transported into the rest of the construction. This caused some problems, so that a further thorough renovation was urgently needed.

 

 

A sketch of Borobudur restoration plan in 1973 to improve its drainage system (source: UNESCO report).
A sketch of Borobudur restoration plan in 1973 to improve its drainage system (source: UNESCO report).

 

 

Small restorations have been performed since then, but not sufficient for complete protection. During World War II and Indonesian National Revolution in 1945 to 1949, Borobudur restoration efforts were halted. The monument suffered further from the weather and drainage problems, which caused the earth core inside the temple to expand, pushing the stone structure and tilting the walls. By 1950s some parts of Borobudur were facing imminent danger of collapsing. In 1965, Indonesia asked the UNESCO for advice on ways to counteract the problem of weathering at Borobudur and other monuments. In 1968 Professor Soekmono, then head of the Archeological Service of Indonesia, launched his “Save Borobudur” campaign, in an effort to organize a massive restoration project.

 

 

The scattered antefix parts of Borobudur Temple at Karmawibhangga Museum. People still can't located its original position
The scattered antefix parts of Borobudur Temple at Karmawibhangga Museum. People still can’t located its original position (author: okkisafire).

 

 

Close-up, satellite earth's view of Borobudur Temple (source: Google Maps).
Close-up, satellite earth’s view of Borobudur Temple (source: Google Maps).

 

 

 

In the late 1960s, the Indonesian government had requested from the international community a major renovation to protect the monument. In 1973, a master plan to restore Borobudur was created. The Indonesian government and UNESCO then undertook the complete overhaul of the monument in a big restoration project between 1975 and 1982. In 1975, the actual work began. Over one million stones were dismantled and removed during the restoration, and set aside like pieces of a massive jig-saw puzzle to be individually identified, catalogued, cleaned and treated for preservation. Borobudur became a testing ground for new conservation techniques, including new procedures to battle the microorganisms attacking the stone. The foundation was stabilized, and all 1,460 panels were cleaned. The restoration involved the dismantling of the five square platforms and the improvement of drainage by embedding water channels into the monument. Both impermeable and filter layers were added. This colossal project involved around 600 people to restore the monument and cost a total of US$6,901,243.

After the renovation was finished, UNESCO listed Borobudur as a World Heritage Site in 1991. It is listed under Cultural criteria (i) “to represent a masterpiece of human creative genius”, (ii) “to exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design”, and (vi) “to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance”.

 

 

 

 

Contemporary events

Religious ceremony.

 

 

 

Buddist monks praying at Borobudur (author: frank wouters on Flickr).
Buddist monks praying at Borobudur (author: frank wouters on Flickr).

 

 

Following the major 1973 renovation funded by UNESCO, Borobudur is once again used as a place of worship and pilgrimage. Once a year, during the full moon in May or June, Buddhists in Indonesia observe Vesak (Indonesian: Waisak) day commemorating the birth, death, and the time when Siddhārtha Gautama attained the highest wisdom to become the Buddha Shakyamuni. Vesak is an official national holiday in Indonesia, and the ceremony is centered at the three Buddhist temples by walking from Mendut to Pawon and ending at Borobudur.

 

 

trail_of_civilisations
Ballet Performance in front of the Borobudur Temple at the Trail of Civilizations Symposium, The Ballet Ensemble and Borobudur, towering in the Background (source: commons.wikimedia.org).

 

 

 

 

 

Tourism.

 

 

 

Once a year, during the full moon in May or June, Buddhists in Indonesia observe Vesak (Indonesian: Waisak) day
Once a year, during the full moon in May or June, Buddhists in Indonesia observe Vesak (Indonesian: Waisak) day (author: pwbaker).

 

 

The monument is the single most visited tourist attraction in Indonesia. In 1974, 260,000 tourists, of whom 36,000 were foreigners, visited the monument. The figure climbed to 2.5 million visitors annually (80% were domestic tourists) in the mid-1990s, before the country’s economic crisis. Tourism development, however, has been criticized for not including the local community, giving rise to occasional conflicts.In 2003, residents and small businesses around Borobudur organized several meetings and poetry protests, objecting to a provincial government plan to build a three-story mall complex, dubbed the “Java World”.

 

 

The procedures signage for visiting Borobudur Temple in Indonesian and English languages
The procedures signage for visiting Borobudur Temple in Indonesian and English languages (author: Okkisafire, 2014).

 

International tourism awards were given to Borobudur archaeological park, such as PATA Grand Pacific Award 2004, PATA Gold Award Winner 2011, and PATA Gold Award Winner 2012. In June 2012, Borobudur was recorded in the Guinness Book of World Records as the world’s largest Buddhist archaeological site.

 

 

 

The increasing popularity of the stupa brings in many visitors, most of whom are from Indonesia
The increasing popularity of the stupa brings in many visitors, most of whom are from Indonesia (author: Dhr. B. (Boy) Lawson).

 

 

Conservation.

 

 

World Heritage inscription of Borobudur Temple
World Heritage inscription of Borobudur Temple (author: Okkisafire).

 

 

 

UNESCO identified three specific areas of concern under the present state of conservation: (i) vandalism by visitors; (ii) soil erosion in the south-eastern part of the site; and (iii) analysis and restoration of missing elements. The soft soil, the numerous earthquakes and heavy rains lead to the destabilization of the structure. Earthquakes are by far the most important contributing factors, since not only do stones fall down and arches crumble, but the earth itself can move in waves, further destroying the structure. The increasing popularity of the stupa brings in many visitors, most of whom are from Indonesia. Despite warning signs on all levels not to touch anything, the regular transmission of warnings over loudspeakers and the presence of guards, vandalism on reliefs and statues is a common occurrence and problem, leading to further deterioration. As of 2009, there is no system in place to limit the number of visitors allowed per day or to introduce mandatory guided tours only.

In August 2014, the Conservation Authority of Borobudur reported some severe abrasion of the stone stairs caused by the scraping of visitors’ footwear. The conservation authority planned to install wooden stairs to cover and protect the original stone stairs, just like those installed in Angkor Wat.

 

 

 

 

 

Rehabilitation

 

Location of Borobudur relative to Mount Merapi and Yogyakarta
Location of Borobudur relative to Mount Merapi and Yogyakarta (author: burmesedays).

 

 

Borobudur was heavily affected by the eruption of Mount Merapi in October and November 2010. Volcanic ash from Merapi fell on the temple complex, which is approximately 28 kilometres (17 mi) west-southwest of the crater. A layer of ash up to 2.5 centimetres (1 in) thick fell on the temple statues during the eruption of 3–5 November, also killing nearby vegetation, with experts fearing that the acidic ash might damage the historic site. The temple complex was closed from 5 to 9 November to clean up the ashfall.

UNESCO donated US$3 million as a part of the costs towards the rehabilitation of Borobudur after Mount Merapi’s 2010 eruption. More than 55,000 stone blocks comprising the temple’s structure were dismantled to restore the drainage system, which had been clogged by slurry after the rain. The restoration was finished in November.

In January 2012, two German stone-conservation experts spent ten days at the site analyzing the temples and making recommendations to ensure their long-term preservation. In June, Germany agreed to contribute $130,000 to UNESCO for the second phase of rehabilitation, in which six experts in stone conservation, microbiology, structural engineering and chemical engineering would spend a week in Borobudur in June, then return for another visit in September or October. These missions would launch the preservation activities recommended in the January report and would include capacity building activities to enhance the preservation capabilities of governmental staff and young conservation experts.

On 14 February 2014, major tourist attractions in Yogyakarta and Central Java, including Borobudur, Prambanan and Ratu Boko, were closed to visitors, after being severely affected by the volcanic ash from the eruption of Kelud volcano in East Java, located around 200 kilometers east from Yogyakarta. Workers covered the iconic stupas and statues of Borobudur temple to protect the structure from volcanic ash.

 

 

 

 

Security threats.

 

 

On 21 January 1985, nine stupas were badly damaged by nine bombs. In 1991, a blind Muslim preacher, Husein Ali Al Habsyie, was sentenced to life imprisonment for masterminding a series of bombings in the mid-1980s, including the temple attack. Two other members of the right-wing extremist group that carried out the bombings were each sentenced to 20 years in 1986, and another man received a 13-year prison term.

On 27 May 2006, an earthquake of 6.2 magnitude struck the south coast of Central Java. The event caused severe damage around the region and casualties to the nearby city of Yogyakarta, but Borobudur remained intact.

In August 2014, Indonesian police and security forces tightened the security in and around Borobudur temple compound, as a precaution to a threat posted in the social media by a self-proclaimed Indonesian branch of ISIS, citing that the terrorists planned to destroy Borobudur and other statues project in Indonesia. The security improvements included the repair and increased deployment of CCTV monitors and the implementation of a night patrol in and around the temple compound. The jihadist group follows a strict interpretation of Islam that condemns any anthropomorphic representations such as sculptures as idolatry.

 

 

 

 

Visitor overload problem.

 

The hordes of visitors that ascending the Borobudur’s narrow stairs, has caused a severe wear out on stairs’ stones; as the soles of visitors footwears’ eroded the stones surface and made them thinner and smoother. Some of the stones have only 34 British Pendulum Resistance (BPR) or only one point over boundary of smooth to not-smooth. The smooth and slippery stairs are clearly dangerous, as visitors can easily slip and fall on it. In general, nowadays most of the stones have 48-50 BPR, while new stones have 67-70 BPR. There is an idea to use special sandals for all of the visitors. Overall, Borobudur has 2,033 surfaces of stone stairs, spread over four cardinal directions; including the west side, the east, south and north. There are around 1,028 surfaces of them, or about 49.15 percent are severely worn out.

To avoid further wear of stairs’ stones, since November 2014, two main sections of Borobudur stairs — the eastern (ascending route) and northern (descending route) sides — are covered with wooden structures. The similar technique has been applied in Angkor Wat in Cambodia and Egyptian Pyramids. In March 2015, Borobudur Conservation Center proposed further to seal the stairs with rubber cover.

 

 

 

 

Architecture

 

The archeological excavation into Borobudur during reconstruction suggests that adherents of Hinduism or a pre-Indic faith had already begun to erect a large structure on Borobudur’s hill before the site was appropriated by Buddhists. The foundations are unlike any Hindu or Buddhist shrine structures, and therefore, the initial structure is considered more indigenous Javanese than Hindu or Buddhist.

 

 

 

 

 

 

Design.

 

The plan of Borobudur took form of a Mandala, a model of universe in Hindu-Buddhist cosmology
The plan of Borobudur took form of a Mandala, a model of universe in Hindu-Buddhist cosmology (author: Gunawan Kartapranata).

 

 

Borobudur is built as a single large stupa and, when viewed from above, takes the form of a giant tantric Buddhist mandala, simultaneously representing the Buddhist cosmology and the nature of mind. The original foundation is a square, approximately 118 metres (387 ft) on each side. It has nine platforms, of which the lower six are square and the upper three are circular. The upper platform features seventy-two small stupas surrounding one large central stupa. Each stupa is bell-shaped and pierced by numerous decorative openings. Statues of the Buddha sit inside the pierced enclosures.

The design of Borobudur took the form of a step pyramid. Previously, the prehistoric Austronesian megalithic culture in Indonesia had constructed several earth mounds and stone step pyramid structures called punden berundak as discovered in Pangguyangan, Cisolok and Gunung Padang, West Java. The construction of stone pyramids is based on native beliefs that mountains and high places are the abode of ancestral spirits or hyangs. The punden berundak step pyramid is the basic design in Borobudur, believed to be the continuation of older megalithic tradition incorporated with Mahayana Buddhist ideas and symbolism.

 

 

Borobudur architectural model, National Museum of Indonesia, Jakarta
Borobudur architectural model, National Museum of Indonesia, Jakarta (author: Gunawan Kartapranata).

 

 

The monument’s three divisions symbolize the three “realms” of Buddhist cosmology, namely Kamadhatu (the world of desires), Rupadhatu (the world of forms), and finally Arupadhatu (the formless world). Ordinary sentient beings live out their lives on the lowest level, the realm of desire. Those who have burnt out all desire for continued existence leave the world of desire and live in the world on the level of form alone: they see forms but are not drawn to them. Finally, full Buddhas go beyond even form and experience reality at its purest, most fundamental level, the formless ocean of nirvana. The liberation from the cycle of Saṃsāra where the enlightened soul had no longer attached to worldly form corresponds to the concept of Śūnyatā, the complete voidness or the nonexistence of the self. Kāmadhātu is represented by the base, Rupadhatu by the five square platforms (the body), and Arupadhatu by the three circular platforms and the large topmost stupa. The architectural features between the three stages have metaphorical differences. For instance, square and detailed decorations in the Rupadhatu disappear into plain circular platforms in the Arupadhatu to represent how the world of forms—where men are still attached with forms and names—changes into the world of the formless.

Congregational worship in Borobudur is performed in a walking pilgrimage. Pilgrims are guided by the system of staircases and corridors ascending to the top platform. Each platform represents one stage of enlightenment. The path that guides pilgrims was designed to symbolize Buddhist cosmology.

In 1885, a hidden structure under the base was accidentally discovered. The “hidden footing” contains reliefs, 160 of which are narratives describing the real Kāmadhātu. The remaining reliefs are panels with short inscriptions that apparently provide instructions for the sculptors, illustrating the scenes to be carved. The real base is hidden by an encasement base, the purpose of which remains a mystery. It was first thought that the real base had to be covered to prevent a disastrous subsidence of the monument into the hill. There is another theory that the encasement base was added because the original hidden footing was incorrectly designed, according to Vastu Shastra, the Indian ancient book about architecture and town planning. Regardless of why it was commissioned, the encasement base was built with detailed and meticulous design and with aesthetic and religious consideration.

 

 

 

 

Building structure

 

 

Cross section and ratio of Borobudur. Borobudur is stupa with stepped pyramid base in shape of mandala and consist of three realms in Buddhist cosmology: Kamadhatu, Rupadhatu, and Arupadhatu
Cross section and ratio of Borobudur. Borobudur is stupa with stepped pyramid base in shape of mandala and consist of three realms in Buddhist cosmology: Kamadhatu, Rupadhatu, and Arupadhatu (author: Gunawan Kartapranata).

 

 

The stairs took pilgrim from Kamadhatu (realm of desire}, through Rupadhatu, and finaly elevated to a higher spiritual plane of Arupadhatu
The stairs took pilgrim from Kamadhatu, through Rupadhatu, and finaly elevated to a higher spiritual plane of Arupadhatu (author: Gunawan Kartapranata).

 

 

A narrow corridor of Borobudur Temple with reliefs on the wall
A narrow corridor of Borobudur Temple with reliefs on the wall (author: frank wouters on Flickr).

 

 

Approximately 55,000 cubic metres (72,000 cu yd) of andesite stones were taken from neighbouring stone quarries to build the monument. The stone was cut to size, transported to the site and laid without mortar. Knobs, indentations and dovetails were used to form joints between stones. Reliefs were created in situ after the building had been completed.

The monument is equipped with a good drainage system to cater to the area’s high stormwater run-off. To prevent flooding, 100 spouts are installed at each corner, each with a unique carved gargoyle in the shape of a giant or makara.

Borobudur differs markedly from the general design of other structures built for this purpose. Instead of being built on a flat surface, Borobudur is built on a natural hill. However, construction technique is similar to other temples in Java. Without the inner spaces seen in other temples, and with a general design similar to the shape of pyramid, Borobudur was first thought more likely to have served as a stupa, instead of a temple. A stupa is intended as a shrine for the Buddha. Sometimes stupas were built only as devotional symbols of Buddhism. A temple, on the other hand, is used as a house of worship. The meticulous complexity of the monument’s design suggests that Borobudur is in fact a temple.

Little is known about Gunadharma, the architect of the complex. His name is recounted from Javanese folk tales rather than from written inscriptions.

The basic unit of measurement used during construction was the tala, defined as the length of a human face from the forehead’s hairline to the tip of the chin or the distance from the tip of the thumb to the tip of the middle finger when both fingers are stretched at their maximum distance. The unit is thus relative from one individual to the next, but the monument has exact measurements. A survey conducted in 1977 revealed frequent findings of a ratio of 4:6:9 around the monument. The architect had used the formula to lay out the precise dimensions of the fractal and self-similar geometry in Borobudur’s design. This ratio is also found in the designs of Pawon and Mendut, nearby Buddhist temples. Archeologists have conjectured that the 4:6:9 ratio and the tala have calendrical, astronomical and cosmological significance, as is the case with the temple of Angkor Wat in Cambodia.

The main structure can be divided into three components: base, body, and top. The base is 123 m × 123 m (404 ft × 404 ft) in size with 4 metres (13 ft) walls. The body is composed of five square platforms, each of diminishing height. The first terrace is set back 7 metres (23 ft) from the edge of the base. Each subsequent terrace is set back 2 metres (6.6 ft), leaving a narrow corridor at each stage. The top consists of three circular platforms, with each stage supporting a row of perforated stupas, arranged in concentric circles. There is one main dome at the center, the top of which is the highest point of the monument, 35 metres (115 ft) above ground level. Stairways at the center of each of the four sides give access to the top, with a number of arched gates overlooked by 32 lion statues. The gates are adorned with Kala’s head carved on top of each and Makaras projecting from each side. This Kala-Makara motif is commonly found on the gates of Javanese temples. The main entrance is on the eastern side, the location of the first narrative reliefs. Stairways on the slopes of the hill also link the monument to the low-lying plain.

 

 

 

 

Reliefs

 

 

The narrative bas-reliefs stories position on Borobudur wall.
The narrative bas-reliefs stories position on Borobudur wall. All of these stories derived from Buddhist sacred texts such as Lalitavistara, Manohara, Avadana, Jatakamala, Jataka, Gandavyuha, including Karmavibhangga carved along hidden foot covered by additional base encasement (author: Gunawan Kartapranata).

 

The bas relief of 8th century Borobudur depicted the palace scene of King and Queen accompanied by their subjects
The bas relief of 8th century Borobudur depicted the palace scene of King and Queen accompanied by their subjects (author: Gunawan Kartapranata).

 

 

 

Relief panel of a ship at Borobudur (author: MichaelJLowe, 2005).
Relief panel of a ship at Borobudur (author: MichaelJLowe, 2005).

 

Borobudur relief showing musicians
Borobudur relief showing musicians (author: Gunawan Kartapranata, 2008).

 

 

 

Flying Apsara, the celestial maiden on Borobudur bas-relief
Flying Apsara, the celestial maiden on Borobudur bas-relief (author: Gunawan Kartapranata, 2007).

 

 

Borobudur is constructed in such a way that it reveals various levels of terraces, showing intricate architecture that goes from being heavily ornamented with bas-reliefs to being plain in Arupadhatu circular terraces. The first four terrace walls are showcases for bas-relief sculptures. These are exquisite, considered to be the most elegant and graceful in the ancient Buddhist world.

The bas-reliefs in Borobudur depicted many scenes of daily life in 8th-century ancient Java, from the courtly palace life, hermit in the forest, to those of commoners in the village. It also depicted temple, marketplace, various flora and fauna, and also native vernacular architecture. People depicted here are the images of king, queen, princes, noblemen, courtier, soldier, servant, commoners, priest and hermit. The reliefs also depicted mythical spiritual beings in Buddhist beliefs such as asuras, gods, boddhisattvas, kinnaras, gandharvas and apsaras. The images depicted on bas-relief often served as reference for historians to research for certain subjects, such as the study of architecture, weaponry, economy, fashion, and also mode of transportation of 8th-century Maritime Southeast Asia. One of the famous renderings of an 8th-century Southeast Asian double outrigger ship is Borobudur Ship. Today, the actual-size replica of Borobudur Ship that had sailed from Indonesia to Africa in 2004 is displayed in the Samudra Raksa Museum, located a few hundred meters north of Borobudur.

 

 

This is a closeup of the Great Departure from Lalitavistara panel I.a65, on the west side of the monument
This is a closeup of the Great Departure from Lalitavistara panel I.a65, on the west side of the monument. It narrates Shakyamuni’s departure from his palace at Kapilavastu, on the beginning of his spiritual journey. Gods Indra (with umbrella) and Brahma lead Shakyamuni’s horse, while flying apsarasas cushion the horse’s feet so as not to awaken the palace’s inhabitants (author: Michael Gunther, 2008).

 

 

Lalitavistara panel I.a65 narrates the Great Departure of Shakyamuni from his palace at Kapilavastu, at the beginning of his spiritual journey
Lalitavistara panel I.a65 narrates the Great Departure of Shakyamuni from his palace at Kapilavastu, at the beginning of his spiritual journey (author: Michael Gunther, 2014).

 

 

 

A bas-relief on the wall of Borobudur describe a man holding a medium sized sword or a dagger that similar to keris.
A bas-relief on the wall of Borobudur describe a man holding a medium sized sword or a dagger that similar to keris. The dagger’s part that shared similarity with typical keris is the handle and the wider part of the blade near the handle (author: Gunawan Kartapranata, 2010).

 

 

 

A female figure probably portrayed Tara or Apsara holding chamara (fly-whisk) and utpala (blue lotus). Bas-relief of lower outer wall of 8th century Borobudur
A female figure probably portrayed Tara or Apsara holding chamara (fly-whisk) and utpala (blue lotus). Bas-relief of lower outer wall of 8th century Borobudur (author: Gunawan Kartapranata, 2010).

 

 

The Borobudur reliefs also pay close attention to Indian aesthetic discipline, such as pose and gesture that contain certain meanings and aesthetic value. The reliefs of noblemen, and noble women, kings, or divine beings such as apsaras, taras and boddhisattvas are usually portrayed in tribhanga pose, the three-bend pose on neck, hips, and knee, with one leg resting and one upholding the body weight. This position is considered as the most graceful pose, such as the figure of Surasundari holding a lotus.

During Borobudur excavation, archeologists discovered colour pigments of blue, red, green, black, as well as bits of gold foil, and concluded that the monument that we see today — a dark gray mass of volcanic stone, lacking in colour — was probably once coated with varjalepa white plaster and then painted with bright colors, serving perhaps as a beacon of Buddhist teaching. The same vajralepa plaster can also be found in Sari, Kalasan and Sewu temples. It is likely that the bas-reliefs of Borobudur was originally quite colourful, before centuries of torrential tropical rainfalls peeled-off the colour pigments.

Borobudur contains approximately 2,670 individual bas reliefs (1,460 narrative and 1,212 decorative panels), which cover the façades and balustrades. The total relief surface is 2,500 square metres (27,000 sq ft), and they are distributed at the hidden foot (Kāmadhātu) and the five square platforms (Rupadhatu).

 

The female figure probably Tara or Apsara Surasundari holding kumuda (white lotus) and a flower
The female figure probably Tara or Apsara Surasundari holding kumuda (white lotus) and a flower (author: Gunawan Kartapranata, 2010).

 

 

 

LalitavistaraDeva listening to Dhamma (author: Anandajoti, 2009).
LalitavistaraDeva listening to Dhamma (author: Anandajoti, 2009).

 

 

The narrative panels, which tell the story of Sudhana and Manohara, are grouped into 11 series that encircle the monument with a total length of 3,000 metres (9,800 ft). The hidden foot contains the first series with 160 narrative panels, and the remaining 10 series are distributed throughout walls and balustrades in four galleries starting from the eastern entrance stairway to the left. Narrative panels on the wall read from right to left, while those on the balustrade read from left to right. This conforms with pradaksina, the ritual of circumambulation performed by pilgrims who move in a clockwise direction while keeping the sanctuary to their right.

The hidden foot depicts the workings of karmic law. The walls of the first gallery have two superimposed series of reliefs; each consists of 120 panels. The upper part depicts the biography of the Buddha, while the lower part of the wall and also the balustrades in the first and the second galleries tell the story of the Buddha’s former lives. The remaining panels are devoted to Sudhana’s further wandering about his search, terminated by his attainment of the Perfect Wisdom.

 

 

 

 

 

 

The law of karma (Karmavibhangga)

 

The Karmavibangga scene on Borobudur
The Karmavibangga scene on Borobudur’s hidden foot, on the right depicting sinful act of killing and cooking turtles and fishes, on the left those who make living by killing animals will be tortured in hell, by being cooked alive, being cut, or being thrown into burning house (author: Kassian Cephas).

 

 

The 160 hidden panels do not form a continuous story, but each panel provides one complete illustration of cause and effect. There are depictions of blameworthy activities, from gossip to murder, with their corresponding punishments. There are also praiseworthy activities, that include charity and pilgrimage to sanctuaries, and their subsequent rewards. The pains of hell and the pleasure of heaven are also illustrated. There are scenes of daily life, complete with the full panorama of samsara (the endless cycle of birth and death). The encasement base of the Borobudur temple was dissembled to reveal the hidden foot, and the reliefs were photographed by Casijan Chepas in 1890. It is these photographs that are displayed in Borobudur Museum (Karmawibhangga Museum), located just several hundred meters north of the temple. During the restoration, the foot encasement was reinstalled, covering the Karmawibhangga reliefs. Today, only the southeast corner of the hidden foot is revealed and visible for visitors.

 

 

 

 

 

The story of Prince Siddhartha and the birth of Buddha (Lalitavistara)

 

 

Prince Siddharta Gautama shaves the hair off his head as the sign to decline his status as ksatriya and becomes an ascetic hermit, his servants hold his sword, crown, and princely jewelry while his horse Kanthaka stands on right. Bas-relief panel at Borobudur
Prince Siddharta Gautama shaves the hair off his head as the sign to decline his status as ksatriya and becomes an ascetic hermit, his servants hold his sword, crown, and princely jewelry while his horse Kanthaka stands on right. Bas-relief panel at Borobudur, Java, Indonesia (author: Gunawan Kartapranata).

 

 

 

Queen Maya retreat to Lumbini to gave birth to Prince Siddharta Gautama (Buddha), the panel of Lalitavistara, Borobudur
Queen Maya retreat to Lumbini to gave birth to Prince Siddharta Gautama (Buddha), the panel of Lalitavistara, Borobudur (author: Gunawan Kartapranata).

 

 

The story starts with the descent of the Lord Buddha from the Tushita heaven and ends with his first sermon in the Deer Park near Benares. The relief shows the birth of the Buddha as Prince Siddhartha, son of King Suddhodana and Queen Maya of Kapilavastu (in present-day Nepal).

The story is preceded by 27 panels showing various preparations, in the heavens and on the earth, to welcome the final incarnation of the Bodhisattva. Before descending from Tushita heaven, the Bodhisattva entrusted his crown to his successor, the future Buddha Maitreya. He descended on earth in the shape of white elephants with six tusks, penetrated to Queen Maya’s right womb. Queen Maya had a dream of this event, which was interpreted that his son would become either a sovereign or a Buddha.

While Queen Maya felt that it was the time to give birth, she went to the Lumbini park outside the Kapilavastu city. She stood under a plaksa tree, holding one branch with her right hand, and she gave birth to a son, Prince Siddhartha. The story on the panels continues until the prince becomes the Buddha.

 

 

 

 

The stories of Buddha’s and (Avadana)

 

 

Jatakas are stories about the Buddha before he was born as Prince Siddhartha. They are the stories that tell about the previous lives of the Buddha, in both human and animal form. The future Buddha may appear in them as a king, an outcast, a god, an elephant—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Avadanas are similar to jatakas, but the main figure is not the Bodhisattva himself. The saintly deeds in avadanas are attributed to other legendary persons. Jatakas and avadanas are treated in one and the same series in the reliefs of Borobudur.

The first twenty lower panels in the first gallery on the wall depict the Sudhanakumaravadana, or the saintly deeds of Sudhana. The first 135 upper panels in the same gallery on the balustrades are devoted to the 34 legends of the Jatakamala. The remaining 237 panels depict stories from other sources, as do the lower series and panels in the second gallery. Some jatakas are depicted twice, for example the story of King Sibhi (Rama’s forefather).

 

 

 

 

Sudhana’s search for the Ultimate Truth (Gandavyuha).

 

 

Gandavyuha is the story told in the final chapter of the Avatamsaka Sutra about Sudhana’s tireless wandering in search of the Highest Perfect Wisdom. It covers two galleries (third and fourth) and also half of the second gallery, comprising in total of 460 panels. The principal figure of the story, the youth Sudhana, son of an extremely rich merchant, appears on the 16th panel. The preceding 15 panels form a prologue to the story of the miracles during Buddha’s samadhi in the Garden of Jeta at Sravasti.

During his search, Sudhana visited no fewer than thirty teachers, but none of them had satisfied him completely. He was then instructed by Manjusri to meet the monk Megasri, where he was given the first doctrine. As his journey continues, Sudhana meets (in the following order) Supratisthita, the physician Megha (Spirit of Knowledge), the banker Muktaka, the monk Saradhvaja, the upasika Asa (Spirit of Supreme Enlightenment), Bhismottaranirghosa, the Brahmin Jayosmayatna, Princess Maitrayani, the monk Sudarsana, a boy called Indriyesvara, the upasika Prabhuta, the banker Ratnachuda, King Anala, the god Siva Mahadeva, Queen Maya, Bodhisattva Maitreya and then back to Manjusri. Each meeting has given Sudhana a specific doctrine, knowledge and wisdom. These meetings are shown in the third gallery.

After the last meeting with Manjusri, Sudhana went to the residence of Bodhisattva Samantabhadra, depicted in the fourth gallery. The entire series of the fourth gallery is devoted to the teaching of Samantabhadra. The narrative panels finally end with Sudhana’s achievement of the Supreme Knowledge and the Ultimate Truth.

 

 

 

 

 

Legacy

 

 

 

President Soekarno and the Indian prime minister Nehru watching Indira Gandhi receiving flowers during a visit to the Borobudur (source: Tropenmuseum).
President Soekarno and the Indian prime minister Nehru watching Indira Gandhi receiving flowers during a visit to the Borobudur, 1950 (source: Tropenmuseum).

 

 

The aesthetic and technical mastery of Borobudur, and also its sheer size, has evoked the sense of grandeur and pride for Indonesians. Just like Angkor Wat for Cambodian, Borobudur has become a powerful symbol for Indonesia — to testify for its past greatness. Sukarno made a point of showing the site to foreign dignitaries. While Suharto regime — realized its important symbolic and economic meanings — diligently embarked on a massive project to restore the monument with the help from UNESCO. Many museums in Indonesia contain a scale model replica of Borobudur. The monument has become almost an icon, grouped with the wayang puppet play and gamelan music into a vague classical Javanese past from which Indonesians are to draw inspiration.

Several archaeological relics taken from Borobudur or its replica, has been displayed in some museums in Indonesia and abroad. Other than Karmawibhangga Museum within Borobudur temple ground, some museums boast to host relics of Borobudur, such as Indonesian National Museum in Jakarta, Tropenmuseum in Amsterdam, British Museum in London, and Thai National Museum in Bangkok. Louvre museum in Paris, Malaysian National Museum in Kuala Lumpur, and Museum of World Religions in Taipei also displayed the replica of Borobudur. The monument has drawn global attention to the classical Buddhist civilization of ancient Java.

The rediscovery and reconstruction of Borobudur has been hailed by Indonesian Buddhist as the sign of the Buddhist revival in Indonesia. In 1934, Narada Thera, a missionary monk from Sri Lanka, visited Indonesia for the first time as part of his journey to spread the Dharma in Southeast Asia. This opportunity was used by a few local Buddhists to revive Buddhism in Indonesia. A bodhi tree planting ceremony was held in Southeastern side of Borobudur on 10 March 1934 under the blessing of Narada Thera, and some Upasakas were ordained as monks. Once a year, thousands of Buddhist from Indonesia and neighboring countries flock to Borobudur to commemorate national Vesak ceremony.

The emblem of Central Java province and Magelang Regency bears the image of Borobudur. It has become the symbol of Central Java, and also Indonesia on a wider scale. Borobudur has become the name of several establishments, such as Borobudur University, Borobudur Hotel in Central Jakarta, and several Indonesian restaurants abroad. Borobudur has been featured in Rupiah banknote, stamps, numbers of books, publications, documentaries and Indonesian tourism promotion materials. The monument has become one of the main tourism attraction in Indonesia, vital for generating local economy in the region surrounding the temple. The tourism sector of the city of Yogyakarta for example, flourish partly because of its proximity to Borobudur and Prambanan temples.

 

 

 

 

 

Buddha statues

 

 

A Buddha statue with the hand position of dharmachakra mudra
A Buddha statue with the hand position of dharmachakra mudra (photo: Jan-Pieter Nap).

 

 

Apart from the story of the Buddhist cosmology carved in stone, Borobudur has many statues of various Buddhas. The cross-legged statues are seated in a lotus position and distributed on the five square platforms (the Rupadhatu level), as well as on the top platform (the Arupadhatu level).

The Buddha statues are in niches at the Rupadhatu level, arranged in rows on the outer sides of the balustrades, the number of statues decreasing as platforms progressively diminish to the upper level. The first balustrades have 104 niches, the second 104, the third 88, the fourth 72 and the fifth 64. In total, there are 432 Buddha statues at the Rupadhatu level. At the Arupadhatu level (or the three circular platforms), Buddha statues are placed inside perforated stupas. The first circular platform has 32 stupas, the second 24 and the third 16, which adds up to 72 stupas. Of the original 504 Buddha statues, over 300 are damaged (mostly headless), and 43 are missing. Since the monument’s discovery, heads have been stolen as collector’s items, mostly by Western museums. Some of these Buddha heads are now displayed in numbers of museums, such as the Tropenmuseum in Amsterdam and The British Museum in London.

 

 

Head from a Borobudur Buddha statue in Tropenmuseum, Amsterdam
Head from a Borobudur Buddha statue in Tropenmuseum, Amsterdam (author: Niels, source: Tropenmuseum).

 

 

 

Headless Buddha statue in Borobudur, since its discovery numbers of Buddha's head has been stolen and ended up in museums abroad (author: Suhendra Lie on Flickr).
Headless Buddha statue in Borobudur, since its discovery numbers of Buddha’s head has been stolen and ended up in museums abroad (author: Suhendra Lie on Flickr).

 

 

One of four pairs of Lion gate guardian stone statue in Borobudur
One of four pairs of Lion gate guardian stone statue in Borobudur (author: Gunawan Kartapranata).

 

At first glance, all the Buddha statues appear similar, but there is a subtle difference between them in the mudras, or the position of the hands. There are five groups of mudra: North, East, South, West and Zenith, which represent the five cardinal compass points according to Mahayana. The first four balustrades have the first four mudras: North, East, South and West, of which the Buddha statues that face one compass direction have the corresponding mudra. Buddha statues at the fifth balustrades and inside the 72 stupas on the top platform have the same mudra: Zenith. Each mudra represents one of the Five Dhyani Buddhas; each has its own symbolism.

 

 

 

 

 

Other Temples Around Borobudur

 

Between Yogyakarta and Magelang lies the volcanic Kedu Plain. This was clearly an important area in pre-10th century Javanese history as it contains a whole host of ruins (both Buddhist and Hindu) dating from the same era as Borobudur, and easily reached from there. If you have a car, the most accessible of these together make an interesting use of the late part of the day on the way back to Yogyakarta after you have seen Borobudur. Alternatively, if you are staying in the Borobudur area, rent a bicycle and explore these temples together with the verdant local countryside.

 

 

 

Candi Mendut near Borobudur, Central Java, Indonesia (author: Jenktress, 2007).
Candi Mendut near Borobudur, Central Java, Indonesia (author: Jenktress, 2007).

  • Candi Mendut — a Buddhist temple that is thought to have acted as a way-point on the road to Borobudur. It was first discovered in 1834 and holds the distinction of being the first ancient monument in the whole of Indonesia to be restored (from 1897). Some of the statues and reliefs here are of the highest quality, and it is well worth a visit. Mendut is notable as the start of the modern day Waisak procession. From Borobudur head back towards Muntilan on the main road for 3 km (1.8 mi) , and Candi Mendut is signposted off a small left hand turn off the main road.
  • Candi Pawon (Branjalan) — is only 2 km (1.25 mi) from Borobudur and you cannot miss driving past it when heading back towards Muntilan and Yogyakarta. It is on a direct line with Borobudur and Mendut and is again thought to have been am ancient way-point. Both Candi Pawon and Candi Mendut are on a perfect straight line with Borobudur. This temple was restored in the early 20th century.

 

 

Candi Pawon near Borobudur (author: Gunawan Kartapranata, 2007).
Candi Pawon near Borobudur (author: Gunawan Kartapranata, 2007).

 

 

 

  • Candi Ngawen — is in Ngawen village just to the south of Muntilan on the main road heading towards Yogyakarta, about 15 km (9 mi) from Borobudur. This Buddhist temple dates from 824 AD, and has some interesting wall reliefs.
  • Candi Canggal — dates from the 8th century, and is at Gunung Wukir on the main road heading back towards Yogyakarta from Muntilan. The best landmark is the Chinese cemetery which you should look for on the right after leaving Muntilan. A road leads west (right) just after you pass this cemetery. Follow this until the end and walk the last few minutes to Candi Canggal.

 

 

 

 

Videos

 

 

 

 

 

 

 

 

 


Source :

https://en.wikipedia.org

http://absfreepic.com

http://wikitravel.org/en/

 


 

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  28. Hey there just wanted to give you a quick heads up and let you know a few of the pictures aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different web browsers and both show the same outcome.

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  43. The other day, while I was at work, my cousin stole my iphone and tested to see if it can survive a twenty five foot drop, just so she can be a youtube sensation. My apple ipad is now broken and she has 83 views. I know this is totally off topic but I had to share it with someone!

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  50. The other day, while I was at work, my cousin stole my apple ipad and tested to see if it can survive a forty foot drop, just so she can be a youtube sensation. My apple ipad is now broken and she has 83 views. I know this is totally off topic but I had to share it with someone!

  51. Hi there! I know this is kind of off topic but I was wondering which blog platform are you using for this site? I’m getting fed up of WordPress because I’ve had problems with hackers and I’m looking at options for another platform. I would be awesome if you could point me in the direction of a good platform.

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  54. Hello just wanted to give you a quick heads up and let you know a few of the pictures aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different browsers and both show the same results.

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  57. Hello there! I know this is kind of off topic but I was wondering if you knew where I could locate a captcha plugin for my comment form? I’m using the same blog platform as yours and I’m having problems finding one? Thanks a lot!

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  109. Have you ever thought about adding a little bit more than just your articles? I mean, what you say is fundamental and everything. But think about if you added some great visuals or videos to give your posts more, “pop”! Your content is excellent but with pics and clips, this site could undeniably be one of the greatest in its field. Great blog!

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  112. Please let me know if you’re looking for a author for your site. You have some really good articles and I feel I would be a good asset. If you ever want to take some of the load off, I’d love to write some material for your blog in exchange for a link back to mine. Please blast me an e-mail if interested. Kudos!

  113. Write more, thats all I have to say. Literally, it seems as though you relied on the video to make your point. You clearly know what youre talking about, why waste your intelligence on just posting videos to your site when you could be giving us something informative to read?

  114. Appreciating the commitment you put into your blog and detailed information you provide. It’s nice to come across a blog every once in a while that isn’t the same outdated rehashed material. Fantastic read! I’ve bookmarked your site and I’m adding your RSS feeds to my Google account.

  115. With havin so much content do you ever run into any problems of plagorism or copyright violation? My site has a lot of exclusive content I’ve either authored myself or outsourced but it looks like a lot of it is popping it up all over the web without my authorization. Do you know any ways to help protect against content from being stolen? I’d truly appreciate it.

  116. Good day! I know this is kinda off topic but I’d figured I’d ask. Would you be interested in trading links or maybe guest authoring a blog post or vice-versa? My website addresses a lot of the same subjects as yours and I think we could greatly benefit from each other. If you happen to be interested feel free to shoot me an email. I look forward to hearing from you! Awesome blog by the way!

  117. Good day! I know this is kinda off topic however I’d figured I’d ask. Would you be interested in exchanging links or maybe guest writing a blog article or vice-versa? My website goes over a lot of the same subjects as yours and I feel we could greatly benefit from each other. If you are interested feel free to send me an e-mail. I look forward to hearing from you! Great blog by the way!

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  120. I’m really loving the theme/design of your blog. Do you ever run into any internet browser compatibility issues? A couple of my blog readers have complained about my site not operating correctly in Explorer but looks great in Safari. Do you have any suggestions to help fix this issue?

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  122. With havin so much written content do you ever run into any problems of plagorism or copyright infringement? My site has a lot of completely unique content I’ve either created myself or outsourced but it seems a lot of it is popping it up all over the web without my authorization. Do you know any ways to help protect against content from being ripped off? I’d genuinely appreciate it.

  123. Howdy! This is my first visit to your blog! We are a group of volunteers and starting a new project in a community in the same niche. Your blog provided us valuable information to work on. You have done a marvellous job!

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  129. First of all I want to say terrific blog! I had a quick question in which I’d like to ask if you do not mind. I was curious to know how you center yourself and clear your mind prior to writing. I have had a hard time clearing my mind in getting my ideas out. I do enjoy writing but it just seems like the first 10 to 15 minutes are lost simply just trying to figure out how to begin. Any recommendations or tips? Many thanks!

  130. When I originally commented I clicked the “Notify me when new comments are added” checkbox and now each time a comment is added I get several e-mails with the same comment. Is there any way you can remove me from that service? Bless you!

  131. When I originally commented I clicked the “Notify me when new comments are added” checkbox and now each time a comment is added I get several e-mails with the same comment. Is there any way you can remove people from that service? Cheers!

  132. Hi! I understand this is somewhat off-topic however I needed to ask. Does running a well-established blog such as yours require a large amount of work? I’m completely new to running a blog however I do write in my journal on a daily basis. I’d like to start a blog so I will be able to share my personal experience and views online. Please let me know if you have any kind of ideas or tips for new aspiring bloggers. Appreciate it!

  133. When I initially commented I clicked the “Notify me when new comments are added” checkbox and now each time a comment is added I get four e-mails with the same comment. Is there any way you can remove people from that service? Appreciate it!

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  137. When I initially commented I clicked the “Notify me when new comments are added” checkbox and now each time a comment is added I get several emails with the same comment. Is there any way you can remove people from that service? Thanks a lot!

  138. With havin so much written content do you ever run into any issues of plagorism or copyright infringement? My site has a lot of completely unique content I’ve either written myself or outsourced but it appears a lot of it is popping it up all over the web without my permission. Do you know any techniques to help protect against content from being ripped off? I’d genuinely appreciate it.

  139. Hello just wanted to give you a brief heads up and let you know a few of the pictures aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different browsers and both show the same outcome.

  140. Hey there are using WordPress for your site platform? I’m new to the blog world but I’m trying to get started and set up my own. Do you require any html coding knowledge to make your own blog? Any help would be greatly appreciated!

  141. Please let me know if you’re looking for a author for your site. You have some really great articles and I believe I would be a good asset. If you ever want to take some of the load off, I’d love to write some content for your blog in exchange for a link back to mine. Please send me an email if interested. Kudos!

  142. My coder is trying to convince me to move to .net from PHP. I have always disliked the idea because of the expenses. But he’s tryiong none the less. I’ve been using Movable-type on a number of websites for about a year and am nervous about switching to another platform. I have heard excellent things about blogengine.net. Is there a way I can import all my wordpress posts into it? Any help would be greatly appreciated!

  143. I really like your blog.. very nice colors & theme. Did you create this website yourself or did you hire someone to do it for you? Plz reply as I’m looking to construct my own blog and would like to know where u got this from. kudos

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  146. Hmm it looks like your website ate my first comment (it was extremely long) so I guess I’ll just sum it up what I wrote and say, I’m thoroughly enjoying your blog. I as well am an aspiring blog writer but I’m still new to everything. Do you have any tips for beginner blog writers? I’d definitely appreciate it.

  147. My programmer is trying to convince me to move to .net from PHP. I have always disliked the idea because of the costs. But he’s tryiong none the less. I’ve been using WordPress on a number of websites for about a year and am anxious about switching to another platform. I have heard good things about blogengine.net. Is there a way I can transfer all my wordpress content into it? Any help would be greatly appreciated!

  148. I absolutely love your blog and find a lot of your post’s to be precisely what I’m looking for. Does one offer guest writers to write content in your case? I wouldn’t mind producing a post or elaborating on a number of the subjects you write in relation to here. Again, awesome web log!

  149. I’m really enjoying the theme/design of your web site. Do you ever run into any internet browser compatibility problems? A number of my blog readers have complained about my site not operating correctly in Explorer but looks great in Chrome. Do you have any advice to help fix this issue?

  150. Whats up are using WordPress for your site platform? I’m new to the blog world but I’m trying to get started and create my own. Do you need any coding expertise to make your own blog? Any help would be really appreciated!

  151. Neat blog! Is your theme custom made or did you download it from somewhere? A design like yours with a few simple adjustements would really make my blog shine. Please let me know where you got your design. Thank you

  152. I love your blog.. very nice colors & theme. Did you design this website yourself or did you hire someone to do it for you? Plz answer back as I’m looking to design my own blog and would like to find out where u got this from. thanks

  153. Hi there! I know this is kinda off topic but I was wondering which blog platform are you using for this site? I’m getting sick and tired of WordPress because I’ve had problems with hackers and I’m looking at alternatives for another platform. I would be awesome if you could point me in the direction of a good platform.

  154. Heya this is kinda of off topic but I was wondering if blogs use WYSIWYG editors or if you have to manually code with HTML. I’m starting a blog soon but have no coding expertise so I wanted to get advice from someone with experience. Any help would be greatly appreciated!

  155. Hey I know this is off topic but I was wondering if you knew of any widgets I could add to my blog that automatically tweet my newest twitter updates. I’ve been looking for a plug-in like this for quite some time and was hoping maybe you would have some experience with something like this. Please let me know if you run into anything. I truly enjoy reading your blog and I look forward to your new updates.

  156. Hmm is anyone else having problems with the pictures on this blog loading? I’m trying to find out if its a problem on my end or if it’s the blog. Any feed-back would be greatly appreciated.

  157. Whats up this is kind of of off topic but I was wanting to know if blogs use WYSIWYG editors or if you have to manually code with HTML. I’m starting a blog soon but have no coding experience so I wanted to get guidance from someone with experience. Any help would be enormously appreciated!

  158. Appreciating the dedication you put into your site and in depth information you offer. It’s nice to come across a blog every once in a while that isn’t the same outdated rehashed material. Great read! I’ve saved your site and I’m adding your RSS feeds to my Google account.

  159. Hi! I could have sworn I’ve been to this site before but after checking through some of the post I realized it’s new to me. Anyways, I’m definitely happy I found it and I’ll be book-marking and checking back often!

  160. Today, I went to the beachfront with my children. I found a sea shell and gave it to my 4 year old daughter and said “You can hear the ocean if you put this to your ear.” She put the shell to her ear and screamed. There was a hermit crab inside and it pinched her ear. She never wants to go back! LoL I know this is completely off topic but I had to tell someone!

  161. Do you have a spam problem on this website; I also am a blogger, and I was curious about your situation; many of us have developed some nice practices and we are looking to exchange techniques with others, why not shoot me an e-mail if interested.

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  163. Hi! I just wanted to ask if you ever have any problems with hackers? My last blog (wordpress) was hacked and I ended up losing several weeks of hard work due to no data backup. Do you have any methods to stop hackers?

  164. Hey there! I realize this is somewhat off-topic however I had to ask. Does building a well-established blog like yours require a large amount of work? I am completely new to blogging however I do write in my journal every day. I’d like to start a blog so I will be able to share my personal experience and feelings online. Please let me know if you have any recommendations or tips for new aspiring blog owners. Appreciate it!

  165. Heya are using WordPress for your blog platform? I’m new to the blog world but I’m trying to get started and set up my own. Do you require any coding knowledge to make your own blog? Any help would be really appreciated!

  166. Wow that was odd. I just wrote an really long comment but after I clicked submit my comment didn’t appear. Grrrr… well I’m not writing all that over again. Anyway, just wanted to say great blog!

  167. Hmm it seems like your website ate my first comment (it was super long) so I guess I’ll just sum it up what I had written and say, I’m thoroughly enjoying your blog. I too am an aspiring blog blogger but I’m still new to everything. Do you have any tips for novice blog writers? I’d definitely appreciate it.

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  170. Hey I know this is off topic but I was wondering if you knew of any widgets I could add to my blog that automatically tweet my newest twitter updates. I’ve been looking for a plug-in like this for quite some time and was hoping maybe you would have some experience with something like this. Please let me know if you run into anything. I truly enjoy reading your blog and I look forward to your new updates.

  171. This design is spectacular! You definitely know how to keep a reader entertained. Between your wit and your videos, I was almost moved to start my own blog (well, almost…HaHa!) Excellent job. I really enjoyed what you had to say, and more than that, how you presented it. Too cool!

  172. I know this if off topic but I’m looking into starting my own weblog and was curious what all is required to get setup? I’m assuming having a blog like yours would cost a pretty penny? I’m not very web savvy so I’m not 100% sure. Any suggestions or advice would be greatly appreciated. Many thanks

  173. My coder is trying to convince me to move to .net from PHP. I have always disliked the idea because of the expenses. But he’s tryiong none the less. I’ve been using WordPress on several websites for about a year and am concerned about switching to another platform. I have heard good things about blogengine.net. Is there a way I can import all my wordpress content into it? Any help would be greatly appreciated!

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  175. Greetings! Quick question that’s totally off topic. Do you know how to make your
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  176. Heya! I realize this is sort of off-topic however I needed to ask. Does managing a well-established blog such as yours take a lot of work? I am brand new to running a blog but I do write in my journal on a daily basis. I’d like to start a blog so I can easily share my experience and views online. Please let me know if you have any kind of ideas or tips for new aspiring blog owners. Appreciate it!

  177. Hi there just wanted to give you a quick heads up and let you know a few of the images aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different web browsers and both show the same results.

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  180. I’m truly enjoying the design and layout of your site. It’s a very easy on the eyes which makes it much more enjoyable for me to come here and visit more often. Did you hire out a developer to create your theme? Outstanding work!

  181. Please let me know if you’re looking for a article writer for your site. You have some really good articles and I think I would be a good asset. If you ever want to take some of the load off, I’d really like to write some material for your blog in exchange for a link back to mine. Please blast me an e-mail if interested. Cheers!

  182. Hello would you mind sharing which blog platform you’re using? I’m going to start my own blog in the near future but I’m having a difficult time choosing between BlogEngine/Wordpress/B2evolution and Drupal. The reason I ask is because your design and style seems different then most blogs and I’m looking for something completely unique. P.S Apologies for getting off-topic but I had to ask!

  183. Hey there this is kind of of off topic but I was wondering if blogs use WYSIWYG editors or if you have to manually code with HTML. I’m starting a blog soon but have no coding knowledge so I wanted to get advice from someone with experience. Any help would be greatly appreciated!

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  189. Hello! Quick question that’s completely off topic. Do you know how to make your site mobile friendly? My site looks weird when viewing from my iphone. I’m trying to find a template or plugin that might be able to fix this problem. If you have any recommendations, please share. With thanks!

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  191. I’m really loving the theme/design of your site. Do you ever run into any browser compatibility problems? A small number of my blog audience have complained about my site not operating correctly in Explorer but looks great in Chrome. Do you have any recommendations to help fix this issue?

  192. Hey there outstanding website! Does running a blog similar to this take a lot of work? I’ve absolutely no understanding of computer programming however I was hoping to start my own blog soon. Anyways, if you have any ideas or techniques for new blog owners please share. I know this is off topic nevertheless I simply wanted to ask. Thank you!

  193. I don’t know if it’s just me or if perhaps everyone else experiencing issues with your blog. It seems like some of the written text in your content are running off the screen. Can someone else please comment and let me know if this is happening to them too? This could be a issue with my web browser because I’ve had this happen previously. Thanks

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  197. Nice blog! Is your theme custom made or did you download it from somewhere? A theme like yours with a few simple adjustements would really make my blog jump out. Please let me know where you got your theme. Thanks a lot

  198. Hi there! I know this is kinda off topic nevertheless I’d figured I’d ask. Would you be interested in exchanging links or maybe guest authoring a blog post or vice-versa? My site covers a lot of the same topics as yours and I think we could greatly benefit from each other. If you’re interested feel free to send me an e-mail. I look forward to hearing from you! Great blog by the way!

  199. Hello! This is kind of off topic but I need some help from an established blog. Is it tough to set up your own blog? I’m not very techincal but I can figure things out pretty quick. I’m thinking about making my own but I’m not sure where to begin. Do you have any tips or suggestions? Many thanks

  200. Do you have a spam problem on this blog; I also am a blogger, and I was curious about your situation; many of us have developed some nice practices and we are looking to exchange methods with others, why not shoot me an e-mail if interested.

  201. The other day, while I was at work, my cousin stole my apple ipad and tested to see if it can survive a thirty foot drop, just so she can be a youtube sensation. My apple ipad is now broken and she has 83 views. I know this is completely off topic but I had to share it with someone!

  202. I was wondering if you ever thought of changing the layout of your blog? Its very well written; I love what youve got to say. But maybe you could a little more in the way of content so people could connect with it better. Youve got an awful lot of text for only having one or 2 pictures. Maybe you could space it out better?

  203. Hmm it appears like your blog ate my first comment (it was super long) so I guess I’ll just sum it up what I had written and say, I’m thoroughly enjoying your blog. I too am an aspiring blog writer but I’m still new to the whole thing. Do you have any recommendations for inexperienced blog writers? I’d genuinely appreciate it.

  204. Admiring the time and energy you put into your site and detailed information you present. It’s great to come across a blog every once in a while that isn’t the same outdated rehashed information. Great read! I’ve saved your site and I’m adding your RSS feeds to my Google account.

  205. I know this if off topic but I’m looking into starting my own weblog and was curious what all is required to get setup? I’m assuming having a blog like yours would cost a pretty penny? I’m not very internet savvy so I’m not 100% sure. Any recommendations or advice would be greatly appreciated. Many thanks

  206. Hey! This is kind of off topic but I need some advice from an established blog. Is it very hard to set up your own blog? I’m not very techincal but I can figure things out pretty quick. I’m thinking about setting up my own but I’m not sure where to start. Do you have any points or suggestions? Cheers

  207. Have you ever considered creating an ebook or guest authoring on other sites? I have a blog based upon on the same subjects you discuss and would really like to have you share some stories/information. I know my visitors would enjoy your work. If you’re even remotely interested, feel free to send me an e-mail.

  208. Sweet blog! I found it while searching on Yahoo News. Do you have any tips on how to get listed in Yahoo News? I’ve been trying for a while but I never seem to get there! Thank you

  209. Fantastic blog! Do you have any suggestions for aspiring writers? I’m hoping to start my own website soon but I’m a little lost on everything. Would you recommend starting with a free platform like WordPress or go for a paid option? There are so many choices out there that I’m totally confused .. Any recommendations? Bless you!

  210. I’m truly enjoying the design and layout of your website. It’s a very easy on the eyes which makes it much more pleasant for me to come here and visit more often. Did you hire out a developer to create your theme? Excellent work!

  211. The other day, while I was at work, my cousin stole my apple ipad and tested to see if it can survive a 25 foot drop, just so she can be a youtube sensation. My iPad is now broken and she has 83 views. I know this is completely off topic but I had to share it with someone!

  212. I know this if off topic but I’m looking into starting my own blog and was curious what all is required to get set up? I’m assuming having a blog like yours would cost a pretty penny? I’m not very internet savvy so I’m not 100% certain. Any suggestions or advice would be greatly appreciated. Thank you

  213. Hi terrific website! Does running a blog like this take a massive amount work? I’ve absolutely no understanding of coding however I was hoping to start my own blog in the near future. Anyway, should you have any recommendations or tips for new blog owners please share. I understand this is off subject however I simply needed to ask. Many thanks!

  214. Hey there! This is kind of off topic but I need some advice from an established blog. Is it very hard to set up your own blog? I’m not very techincal but I can figure things out pretty fast. I’m thinking about setting up my own but I’m not sure where to start. Do you have any tips or suggestions? Cheers

  215. I’m not sure exactly why but this web site is loading extremely slow for me. Is anyone else having this issue or is it a problem on my end? I’ll check back later and see if the problem still exists.

  216. Do you have a spam issue on this site; I also am a blogger, and I was curious about your situation; we have developed some nice practices and we are looking to exchange techniques with others, why not shoot me an e-mail if interested.

  217. Hey! Do you know if they make any plugins to assist with SEO? I’m trying to get my blog to rank for some targeted keywords but I’m not seeing very good gains. If you know of any please share. Kudos!

  218. Cool blog! Is your theme custom made or did you download it from somewhere? A design like yours with a few simple tweeks would really make my blog shine. Please let me know where you got your theme. Many thanks

  219. Do you have a spam problem on this blog; I also am a blogger, and I was wanting to know your situation; many of us have developed some nice methods and we are looking to swap techniques with other folks, please shoot me an e-mail if interested.

  220. Hey would you mind sharing which blog platform you’re working with? I’m going to start my own blog in the near future but I’m having a hard time making a decision between BlogEngine/Wordpress/B2evolution and Drupal. The reason I ask is because your layout seems different then most blogs and I’m looking for something completely unique. P.S My apologies for being off-topic but I had to ask!

  221. Hiya! Quick question that’s completely off topic. Do you know how to make your site mobile friendly? My web site looks weird when viewing from my iphone. I’m trying to find a template or plugin that might be able to fix this problem. If you have any suggestions, please share. Thank you!

  222. Hello there! Do you know if they make any plugins to assist with SEO? I’m trying to get my blog to rank for some targeted keywords but I’m not seeing very good gains. If you know of any please share. Kudos!

  223. Do you have a spam issue on this site; I also am a blogger, and I was wanting to know your situation; many of us have developed some nice practices and we are looking to trade strategies with other folks, why not shoot me an email if interested.

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  225. Hello just wanted to give you a brief heads up and let you know a few of the images aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different internet browsers and both show the same results.

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